Music Appreciation - Lecture 1 Notes - 18 September 2003


American Folk Traditions

 

            Folk music is the traditional music that grows out of the folk culture of a nation, region, or ethnic group. In the United States, this music includes ballads, lyric songs, lullabies, work songs, country dances, spirituals, traditional blues songs, and religious music derived from folk traditions. It also includes the folk music if different American ethnic groups: Appalachian and Ozark mountain music, Irish dance music, tejano dance music, Cajun and zydeco music, Jewish Klezmer music, and songs and dances from various nationalities all represented in the US.

             Folk music also includes rally and protest songs and political songs promoting ambitious candidates during elections. Country music and bluegrass grew directly out of the traditional songs and dance music of the rural South. Related to the traditional folk music is composed music that has been created in the style of folk music and has folk elements. These styles became part of commercial popular music during the folk revival of the late 1950s and 1960s. Folk music has also been incorporated into much European and American classical music.

             In American society, the predominant folk music originally was the songs of Anglo-Americans—white New Englanders whose roots were in Britain. Later, it included the songs of African Americans—black people in the rural south whose roots were in Africa. The interweaving of European and African styles and influences is perhaps the single most important factor in the development of American music.

             Folk music is primarily a vocal genre, with melodies that are easily singable. Regular patterns, balance, repetition, and predictability are typical, as they are important aids to memory. The verse form with stanzas is most common, though there are verse-and-refrain form songs as well. A refrain, consisting of words that are repeated each time it is sung, follows every stanza. The verse carries the action forward; the refrain is often more emotional.

             The voice of a folk singer bears little resemblance to the voice of a formally trained singer. Folk singers tend to produce a more earthy, unsophisticated, sound, which is heavily influenced by their native speech patterns.

             Folk music is sometimes referred to as folk art which is distinguished from “art music,” for example the vocal works of Schubert and Wagner. Art music grows out of a cultivated tradition based largely on notated (written/printed) music. By contrast, folk music is informal, aesthetically and musically unsophisticated, and usually simple. It is preserved and handed down from generation to generation by learning the songs from memory, and each generation may introduce changes based on their life experiences. This method of transmitting works is called an oral tradition.

 Types of folk music:

 Narrative Ballads (Story Songs)
-come from New England
-ballad singers are storytellers
-topics are romantic and sentimental or heroic
-ballads have many stanzas, frequently four lines of poetry with a rhyme scheme
-ballad music is often strophic, each stanza is set to the same music regardless of the meaning or mood

Broadsides
-song describing current events, functioning as a newspaper in communities and regions
-printed on large sheets of paper, sometimes with music notation
-origin of many folk songs

Lyric Songs

-love songs, ceremonial songs, folk hymns, songs about farming and rural life, songs about industrialization, songs about freedom
-most popular, along with ballad

Work Songs

-sea chanties, railroad songs, lumbermen’s songs
-rhythm, pace, and spirit to complement manual labor

 Children’s Songs

-lullabies, camp songs, game songs

 Rally and Protest Songs

-songs encouraging social and political change
-rally songs have prompted union organization, political candidates, and patriotism
-protest songs have promoted causes and condemned wars
-may be composed, or new words may be set to another folk or popular song

Spirituals

-Europeanized versions of religious folk songs of southern blacks from the 19th century
-western European notation cannot adequately reproduce the slides, “tone bending” (slight lowering of the pitch and then returning to the original pitch) and other fluctuations in pitch and rhythm that were and are an integral part of the performance style of black folk singing and more accurately reflect the African-American experience that inspired this music.