Music Appreciation
Lecture 4

The genres and styles of music are so numerous it is next to impossible to categorize all of them. Every single day artists come up with new ways to interpret previous concepts in sound and new ways to create sounds. Generally, new music does not just arise out of nowhere, but is the result of a combination of previous styles and/or an advancement in technology and/or a shift in cultural attitudes.

Today we will be listening to all sorts of music from all over the world, spanning a time frame from present day back four hundred years. Our objective is to use the terminology we've learned about instrumentation and texture to attempt to understand what we're listening to, what part of a culture it represents, what it might be used/written for, and how it is related to the music we may listen to today. If you've not heard some (or all) of this before, this is your introduction to some of the wacky stuff that's out there!

Franz Schubert - Kennst du Das Land
Gioacchino Rossini - Largo et Factorum
Duke Ellington - It Don't Mean a Thing
Arnold Schoenberg - Pierrot Lunaire
Aaron Copland - Appalachian Spring
Dmitri Shostakovich - String Quartet No. 8 Mov. 3
Lester Flatt/Earl Scruggs - Foggy Mountain Breakdown
Arcangelo Corelli - Concerto Grosso Op. 6 No. 2
John Dowland - Come Heavy Sleep
Josquin des Prez - El Grillo
George Crumb - Ancient Voices of Children
Leonard Bernstein - Overture to Candide
Michael Kamen - Robin Hood: Prince of Thieves Main Title
DCI Blue Devils drumcorps - La Suerte de los Tontos
Neon Genesis Evangelion - Main Title and Credits
PDQ Bach - New Horizons in Music Appreciation, Beethoven 5 (excerpt)